The Caged Bird is Now Free

caged-bird

“Whoever dwells in the shelter of the Most High
    will rest in the shadow of the Almighty.
I will say of the Lord, “He is my refuge and my fortress,
    my God, in whom I trust.” 

Psalm 91:1-2, NIV

Psalm 91 focuses on being intimate with our heavenly Father.

Throughout the entire chapter we see personal pronouns used. In contrast to other psalms that are directed to the nation, this one is written to an individual. This personal focus makes this a favorite psalm for many.

Shelter and shadow, refuge and trusting.

These four are the opening ‘word pictures,’ and they are used with wisdom and an alert discernment. The psalmist writes what he knows, and it is apparent that he understand the needs of the human spirit, and our need for protection.

Each of these four words creates a common link between believers. Each of us need a working understanding of all four protections.

These four are necessary elements for Psalm 91 to really work. I should ‘dwell’ in God’s sheltered care. All too often, I wander out past the security of the Lord (or maybe I’m lured out?) But there is safety in having God so close to us.

His proximity is for my protection.
“Surely he will save you
    from the fowler’s snare
    and from the deadly pestilence.
He will cover you with his feathers,
    and under his wings you will find refuge;
    his faithfulness will be your shield and rampart.”

Psalm 91:3-4

silhouette-bird-on-branch-grangerV.v. 3-4, maintains its personal or familiar tone. ‘Save you’ (salvation) is far more that a theological term.  For the psalmist however, it’s not about ‘doctrine’; rather the psalm is an embrace. He is rescued from the trap, and the sickness that seems so contagious never touches him. Moving from metaphor to metaphor, he engages our imaginations to ‘see’ God’s salvation. The writer knows his stuff.

The Lord is pictured as a protective bird that covers his chicks with His wings.

We have a sure confidence as we gather together in that warm and safe spot under His wing. Whatever is after us has to go through God first. His presence is formidable. In His company is found true safety.

“What, then, shall we say in response to these things? If God is for us, who can be against us? Who will bring any charge against those whom God has chosen? It is God who justifies.”

Romans 8:31, 33

All of heaven is rallying for your well-being. You are sure of this based on your faith in God’s own word. He has ‘busted us’ out of a dark cage, and now defends you against all your enemies. And that is a very good thing.

 

Rembrandt’s Prodigal Son

Rembrandt-The_return_of_the_prodigal_son
Rembrandt, “The Return of the Prodigal Son,” c. 1661

17 “But when he came to himself, he said, ‘How many of my father’s hired servants have more than enough bread, but I perish here with hunger! 18 I will arise and go to my father, and I will say to him, “Father, I have sinned against heaven and before you. 19 I am no longer worthy to be called your son. Treat me as one of your hired servants.”’ 20 And he arose and came to his father. But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him. 21 And the son said to him, ‘Father, I have sinned against heaven and before you. I am no longer worthy to be called your son.’ 22 But the father said to his servants, ‘Bring quickly the best robe, and put it on him, and put a ring on his hand, and shoes on his feet. 23 And bring the fattened calf and kill it, and let us eat and celebrate. 24 For this my son was dead, and is alive again; he was lost, and is found.’ And they began to celebrate.

Luke 15:17-24, ESV

Two hundred and eighty-nine words– these describe the life of every man, woman, and child who has ever lived. These 289 words reveal to us a God who loves far too much, way too easy. Perhaps we sort of expect that he will ‘appropriately’ punish his son– at least put him on probation at least. It only makes sense. But we find that is legalism talking.

“Every saint has a past, and every sinner has a future.” 

Many of us have lived as prodigals, and we have spent our inheritance like ‘drunken sailors.’ We really have nothing at all to show for it. The prodigal, completely destitute, takes the only work he can find. (Imagine a good Jewish boy feeding hogs.)

He is so far gone that he starts inspecting the filthy slop buckets for something to eat.

Many of us will understand his despair. Often there comes to us a crystalline moment of simple awareness. The prodigal, sin-crusted and impoverished, still has a lingering memory of the Father’s house.

The servants there had far more than him right now. Sometimes I wonder if in our captivity, we instinctively want to go home, if only in our minds, to be a servant there.

The Father has dreamed of this precise moment.

The parable says, “He saw him–felt compassion–ran out to him–embraced him–and kissed him.” The Father is a whirlwind of agape love. I’ve read the Parable of the Prodigal Son a hundred times or more. It never loses its punch. I simply want to bring some observations: 

  • We see that his father receives him with a tender gesture. His hands seem to suggest mothering and fathering at once; the left appears larger and more masculine, set on the son’s shoulder, while the right is softer and more receptive in gesture.
  • The son’s head is downy, almost like a newborn’s. We must enter the kingdom like little children. 
  • The Prodigal Son seems to be protected by his father. He snuggles near the Father’s breast. It’s love that holds him there.
  • Consider his sandals. It has taken a long time for him to come home. 
  • Standing at the right is the prodigal son’s older brother, who crosses his hands in stoic judgment; we read in the parable that he objects to the father’s compassion for his brother.
  • We see his mother in the background in the painting, and a seated steward or counselor. One stands in profound joy, the other in sits in stunned perplexity.

But Rembrandt had painted the Prodigal once before, when he was considerably younger. And it is a very good painting. The prodigal is happy and gay; there is absolutely no indication of the consequences of sin.

The Prodigal Son in the Brothel, 1635

He’s a charming young man at the height of his popularity, and we see him at a happy party. He is spending the inheritance of his father.

But Rembrandt chooses at the very end of his life to re-paint it to reflect reality.

This is one of the last paintings he will do, and it is the Prodigal Son–destitute and repenting. I can only imagine; the years have taken a toll and he doesn’t really feel his first painting is enough. He wants to paint what is true.

He now is painting our spiritual condition.

We are given a work that some critics call as the greatest painting ever completed. The painting is now in St. Petersburg, Russia. It is seldom seen by visitors. It is a clear echo of the grace of God for fallen men and women. Like the father in the painting, He’s ready to forgive every sin saturated son and daughter.

The Father’s Prodigal

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Pushing Through

“Snuggle in God’s arms. When you are hurting, when you feel lonely, left out. let Him cradle you, comfort you, reassure you of His all-sufficient power and love.”

     Kay Arthur

There is a lifeline if you are:

  • A weary leader, caregiver, or simply a burned-out believer.
  • Navigating the heavy fog of grief, anxiety, or emotional numbness.
  • Quietly asking yourself, “Why do I still feel so empty?”
  • Aching to feel close to Jesus again.

You don’t have to fix yourself to be found. You’re not too broken—you are already being held.