Dancing With Bruises

 

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It seems like bruises are part of life’s gift package to us.

Dancers are some of the most talented people I know. Their gracefulness can be seen both on and off the stage. A dancer’s training is far from easy. By choosing to become dancers they have made a decision to absorb pain. Their toes and feet are blistered and bruised; they take constant abuse. Some must live with chronic tendonitis. Their feet bleed sometimes, and pain is their constant companion.

Two things to consider.

  • They choose to dance. Dancers have an iron-will and an elegant grace. I suppose that is why they can dance.
  • The scars and bruises often become “badges of honor.” And they wouldn’t have it any other way. They would rather dance in pain, than not to dance at all.

Someone once compared depression as a “mental bruise.” I understand this. As depressed people, we must choose to walk out our lives from this pain. I know what it is like to bury myself in my bed for several weeks at a time. My own mental bruise was simply more than I could take. There was a sensation of sinking into blackness, a sense of total and complete despair. I felt completely lost, and completely alone.

I prayed. I groaned, and I prayed again. My sense of being totally lost was beyond comprehension. Dear reader, this was something quite real, and you must become aware of these things. Some of your friends are suffering, and it is often a hellish and desperate depression.dancer-feet

To my Christian friends. in, I believe Jesus died for all my sins. He has forgiven me of much evil, I know that will live for eternity (with you). But mental illness is real, and like other illnesses it seldom is caused by evil or Satan. We would never say that diabetics are that way because of the enemy. Now the dark one will surely exploit it, but I think you give him far too much credit if you suggest he was able to initiate it. Satan just doesn’t have the spiritual “voltage.”

So, inspired by my dancing friends, and the Holy Spirit– I will make the choice to dance again. I’m pretty bruised, but I will try to ignore the pain. I would exult in my God, walk in His love, “leaping with joy like calves let out to pasture” (Malachi 4:2.)

“A bruised reed he will not break, and a smoldering wick he will not snuff out, till he has brought justice through to victory.”

Isaiah 42:3

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‘A Drowning Kind of Despair’

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“For we do not want you to be ignorant, brethren, of our trouble which came to us in Asia: that we were burdened beyond measure, above strength, so that we despaired even of life.

   2 Corinthians 1:8

“…we should all fortify ourselves against the dark hours of depression by cultivating a deep distrust of the certainties of despair. Despair is relentless in the certainties of its pessimism. But we have seen again and again, from our own experience and others’, that absolute statements of hopelessness that we make in the dark are notoriously unreliable. Our dark certainties are not sureties.”

John Piper

It is my ‘deliberateness’, and not my impulsiveness that scares me.   I know ‘despair’.  I know what it is like to be ‘backed into a corner’ and then feel the empty desperation of being lost.  But you must understand, there can be a weird seductiveness to ‘being lost’, a ‘strange sort of nobility’, a twisted honor, when it comes to despair.

Piper talks about the ‘dark certainties’ of knowing you are lost.  Now this really seems rather bizarre, that people could do this intentionally, without duress.  But I’m afraid to tell you that it happens all the time.  Despair is chosen over the option of life. This is the ‘lostness’ of the race of Adam.

Pop culture has given us words, albeit in a rather simplistic form.  I just happened to think right now of an old AC/DC  song, ‘Highway to Hell‘.  The lyrics are pretty basic, very simple, but the lead singer seems to really have a chronically, decided dedication to being one of the irretrievably lost.  He formats a ‘certain glory’ to being part of the damned.  This is a simplistic approach to the next stop– a more advanced case of stark-white despair, suicide. (We can call this ‘spiritual hubris,’ or even, “sex, drugs, and rock-n-rollism.”)

In examining the striated world of despair, we come to the interesting place where our foolishness combined with our arrogance produces a decision to be lost.  Of course, our fear of God must be extracted from the situation.  But for the eager candidate for despair, this is not an insurmountable problem.

Escaping this ‘drowning despair’ we must first dethrone our right to personal sovereignty.  And secondly, we need to grab the concept that God’s grace has an ultimate power that supersedes our notions of a ‘deserved’ love.  (It is completely undeserved).  We must believe that somehow, someway God chooses us out of a pile, a pile of the worst and ugliest.  And somehow, He delights in doing this, and after all, He is the Lord.

We are meant to be the people of redemptive hope. 

Because of our problems, our addictions, we must clearly renounce our evil folly of despair.  These are the issues that make us vulnerable.  There is a seductiveness to ‘giving up’ and taking up the sin of despair.  There can be a ‘weird romance’ that lures those who ‘walk out lostness’.  We are pulled into a vortex of an exotic melancholy with a dash of fatalism, which makes it reasonable and weirdly heroic in some perverse way.

But is it not even more heroic to live in hope?

“Why are you downcast, O my soul? Why so disturbed within me?  Put your hope in God, for I will yet praise him, my Savior and 6 my God. My soul is downcast within me; therefore I will remember you.”

Psalm 42:5-6

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Rembrandt’s Prodigal Son

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Rembrandt, “The Return of the Prodigal Son,” c. 1661
“And he said, “There was a man who had two sons. 12 And the younger of them said to his father, ‘Father, give me the share of property that is coming to me.’ And he divided his property between them. 13 Not many days later, the younger son gathered all he had and took a journey into a far country, and there he squandered his property in reckless living. 14 And when he had spent everything, a severe famine arose in that country, and he began to be in need. 15 So he went and hired himself out to  one of the citizens of that country, who sent him into his fields to feed pigs. 16 And he was longing to be fed with the pods that the pigs ate, and no one gave him anything.
17 “But when he came to himself, he said, ‘How many of my father’s hired servants have more than enough bread, but I perish here with hunger! 18 I will arise and go to my father, and I will say to him, “Father, I have sinned against heaven and before you. 19 I am no longer worthy to be called your son. Treat me as one of your hired servants.”’ 20 And he arose and came to his father. But while he was still a long way off, his father saw him and felt compassion, and ran and embraced him and kissed him. 21 And the son said to him, ‘Father, I have sinned against heaven and before you. I am no longer worthy to be called your son.’ 22 But the father said to his servants, ‘Bring quickly the best robe, and put it on him, and put a ring on his hand, and shoes on his feet. 23 And bring the fattened calf and kill it, and let us eat and celebrate. 24 For this my son was dead, and is alive again; he was lost, and is found.’ And they began to celebrate.”
Luke 15:11-24, ESV

Two hundred and eighty-nine words– these describe the life of every man, woman, and child who has ever lived. These 289 words reveal to us a God who loves far too much, way too easy— and maybe far too extravagantly for human beings to understand. Perhaps we sort of expect that he will ‘appropriately’ punish his son– at least put him on probation at least. It only makes sense. But we find that is legalism talking.

“Every saint has a past, and every sinner has a future.” Many of us have lived in prodigality, and some of us for a very long time. We have spent our inheritance like ‘drunken sailors’ and have nothing at all to show for it. The prodigal, completely destitute, takes the only work he can find. (Imagine a good Jewish boy feeding hogs.) He is so far gone that he starts inspecting the filthy slop buckets for something to eat.

Many of us will understand his despair. Often there comes to us a crystalline moment of broken wisdom. The prodigal, sin-crusted and impoverished, still has a lingering memory of the Father’s house. The servants there had far more than him right now. Sometimes I wonder if in our captivity, we instinctively want to go home, if only in our minds, to be a servant there.

The Father has dreamed of this precise moment. The parable says, “He saw him–felt compassion–ran out to him–embraced him–and kissed him.” The Father is a whirlwind of agape love. In moments we see a swirl of servants who completely overwhelm an already overwhelmed son. I’ve read the Parable of the Prodigal Son a hundred times or more. It never loses its punch. I simply want to bring some observations: 
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  • We see that his father receives him with a tender gesture. His hands seem to suggest mothering and fathering at once; the left appears larger and more masculine, set on the son’s shoulder, while the right is softer and more receptive in gesture.
  • The son’s head is downy, almost like a newborn’s. We must enter the kingdom like little children. 
  • The Prodigal Son seems to be protected by his father. He snuggles near the Father’s breast. It’s love that holds him there.
  • Consider his sandals. It has taken a long time for him to come home. 
  • Standing at the right is the prodigal son’s older brother, who crosses his hands in stoic judgment; we read in the parable that he objects to the father’s compassion for his brother.
  • We see his mother in the background in the painting, and a seated steward or counselor. One stands in profound joy, the other in sits in stunned perplexity.

Rembrandt had painted the Prodigal once before, when he was considerably younger. And it is a very good painting. The prodigal is happy and gay; there is absolutely no indication of the consequences of sin. He is a charming young man at the height of his popularity, and we see him at a happy party. He is spending the inheritance of his father.

But Rembrandt chooses at the end of his life to re-paint it to reflect reality. This is one of the last paintings he will do, and it is the Prodigal Son–destitute and repenting. I can only imagine; the years have taken a toll and he doesn’t really feel his first painting is enough. He wants to paint what is true. He is painting now the spiritual condition.

We are given a work that some critics call as the greatest painting ever completed. The painting is now in St. Petersburg, Russia. It is seldom seen by visitors. It is a clear echo of the grace of God for fallen men and women. Like the father in the painting, He’s ready to forgive every sin saturated son and daughter.

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